Bela Ivanyi-Grunwald(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting. | |||
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In the Valley Gemälde ID:: 95640 Siehe Galerie in Schweden |
In the Valley Date circa 1900(1900) Medium oil on canvas Dimensions Height: 121 cm (47.6 in). Width: 150 cm (59.1 in). TTD Date_circa_1900(1900)_ Medium_oil_on_canvas_ Dimensions_Height:_121_cm_(47.6_in)._Width:_150_cm_(59.1_in)._ TTD |
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Drying Clothes Gemälde ID:: 95641 Siehe Galerie in Schweden |
Drying Clothes Date 1903(1903) Medium oil on canvas Dimensions Height: 167 cm (65.7 in). Width: 133 cm (52.4 in). TTD Date_1903(1903)_ Medium_oil_on_canvas_ Dimensions_Height:_167_cm_(65.7_in)._Width:_133_cm_(52.4_in)._ TTD |
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View of Nagybanya with Gutin Gemälde ID:: 95642 Siehe Galerie in Schweden |
View of Nagybanya with Gutin Date 1900(1900) Medium oil on canvas Dimensions Height: 90.5 cm (35.6 in). Width: 100.5 cm (39.6 in). ttd Date_1900(1900)_ Medium_oil_on_canvas_ Dimensions_Height:_90.5_cm_(35.6_in)._Width:_100.5_cm_(39.6_in)._ ttd |
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Gypsy Girls by the Banks of Lapos Gemälde ID:: 95643 Siehe Galerie in Schweden |
Gypsy Girls by the Banks of Lapos Date 1909(1909) Medium oil on canvas Dimensions Height: 115 cm (45.3 in). Width: 115 cm (45.3 in). Date_1909(1909)_ Medium_oil_on_canvas_ Dimensions_Height:_115_cm_(45.3_in)._Width:_115_cm_(45.3_in). |
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Market of Kecskemet in Winter Gemälde ID:: 95644 Siehe Galerie in Schweden |
Market of Kecskemet in Winter Date 1911(1911) Medium oil on paperboard Dimensions Height: 50 cm (19.7 in). Width: 73 cm (28.7 in). ttd Date_1911(1911)_ Medium_oil_on_paperboard_ Dimensions_Height:_50_cm_(19.7_in)._Width:_73_cm_(28.7_in)._ ttd |
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| Vorheriger Künstler Nächster Künstler | ||||||||||
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| Bela Ivanyi-Grunwald | ||||||||||
| (6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting. | ||||||||||
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